Counting Crows cover...? Check.
After playing with a full band for the past four years, I'm never really fully satisfied playing solo shows. I have fun, and it's a great opportunity to road-test new material and pull out some of the slower, more-emotional tunes that don't fit very well into the Charlie Hustle repertoire — and I do occasionally find something that makes me go, 'Huh, that was pretty cool' on the tapes — but for the most part, I just find myself wishing there was at least one other person there playing alongside me.
That said, this is probably the most varied solo show I've played in a while, which probably made it a little less coherent for the crowd, but whatchagonnado?
Click here to download/stream the set, courtesy of Archive.org!
Early set:
Hearts and Bones (P. Simon)
You Can Keep It
Incident on 57th Street (Springsteen)
Madam Will You Walk (J. Davis)
Midnight Moonlight (P. Rowan)
Western Wind* >
Southwest Sky
Anna Begins (A. Duritz)
Dire Wolf (Dead)
Cyprus Avenue (V. Morrison)
Somebody Changed the Lock (C. Weldon, M. Rebennack arr.)
Late set:
Loose Lucy (Dead)
Row Jimmy (Dead) >
Streetlight Mama
Blackjack Molly
Passing Afternoon (S. Beam)
Casey Jones (T.L. Seibert)
Catfish John (McDill/Reynolds)
Man of Constant Sorrow (D. Burnett)
On a Foggy Night (T. Waits)
Spanish Ladies (Trad. sea shanty, Varine arr.)
I Can't Wait to Get Off Work (T. Waits)
Stack-a-Lee (Trad., M. Rebennack arr.)
*First time played
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