While I can't in good conscience recommend the "crooked mohawk" (above), nor can I endorse the eighth-grade-pube-'stache he's rocking on the album cover, I can recommend a good portion of Shawn Desman's Fresh, which combines the Black-Eyed Peas' future-techno vibe and Akon (without all the Auto-Tuning) into a pleasant, bouncy record.
Fresh is a head-nodder that exhibits the same flair Will.i.am seems to have for taking what could be a boring techno-based track and adding a few tweaks, bells and whistles to spice it up and keep it moving. And Desman achieves it without needing any cornball "raps" from Fergie, which is always nice.
Granted, the "Can I, can I watch? Keep on doin' what you do" chorus of "Moneyshot" is a little unnecessary, but hey? Let a Canadian-born, Italian/Portuguese player play, I suppose.
Fresh lays aside some of the rougher-edged drums of 2005's Back for More, opting for a cleaner, more-processed atmosphere. The first single, "Shiver," is about as good as modern pop R&B gets, a cascade of heavy percussion and harmony wrapped into a love song that doesn't need to venture into X-rated allegory to get its point across.
Desman leaves that to "Moneyshot," haha.
There's no need for me to go over the slow songs. You know how they sound; you know what they're about. Overall, though, Fresh is a solid step in the right direction for Desman.
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