Showing posts with label stones. Show all posts
Showing posts with label stones. Show all posts

Saturday, July 14, 2012

Tonight's Setlist: 7/14/12, 'Play for Trey' Benefit, Penn Hills, PA

Do I play with a Boss Distortion Pedal? No. Does it sound like it on this recording? Kind of...

Two things happened tonight. Well, three. 1) I definitely maxed out the bass limit on the Zoom H1 recorder. This recording is pretty crisp on the high end and most of the vocals... fully strummed chords and anything below the low G string? Not so much... 2) I'm pretty sure I contributed to the crappy recording by placing the Zoom too close to my amp, which in turn created a semi-audible hum through said amp. Dammit. Why didn't I pay closer attention in the ONE audio technology class I took?

Other than that, the set went well. Oh, the third thing... 3) I discovered a great singing/songwriting talent in Penn Hills senior Heather Catley. We collaborated on the final four songs of the set, and her all-original solo set was excellent. Check her out on YouTube. In fact, in a few days there will probably be videos her sister shot from this evening on there

Extensive EQing proved largely fruitless, so FYI, I do not recommend listening to this at anything approaching high volume. Click here to download/stream the set courtesy of Archive.org:

Rain Song No. 3*
Push Those Clouds Away (Trad.) > Jam >
Southwest Sky* >
Eyes of the World (Dead)
Strange Moon*
Row Jimmy (Dead)
I Ain't Superstitious (C. Burnett)
Astral Weeks (V. Morrison) >
Crazy Fingers (Dead) >
Peggy-O (Dead) >
Darkness on the Edge of Town (Springsteen) >
Jam/Dylan Medley Tease >
Friend of the Devil (Dead)
Mystery Train (J. Parker) >
Statesboro Blues (Blind Willie McTell) >
Mystery Train
Summertime** (Gershwin)
Angel Band** (Stanley Bros.)
Brown Eyed Women** (Dead)
Don't Think Twice, It's All Right** (Dylan)


*Original
**with Heather Catley

Friday, July 6, 2012

...In Which I Lay Waste to VH1's Pathetic '100 Greatest Artists of All Time' List...

According to VH1, out of 200 modern musicians surveyed, this is not, I repeat, NOT, one of the 100 greatest artists of all time. Seriously.

I shouldn't have watched it. I knew it would only upset me. But I had to. In a supposed survey of 200 modern musicians, VH1 attempted to compile its list of "The 100 Greatest Artists of All Time." Now, I'll be the first to say this is something that should be separated out by genre, especially once you starting getting into the top 15. There are too many great musicians in individual fields and too many apples-to-oranges comparisons to make it legit. (how the hell are you supposed to compare Jay-Z to the Rolling Stones?)

But VH1 tried. And failed. Miserably.

Here's a link to the list. I'll hit some of the highlights/lowlights and give my thoughts on various facets of the list.

To start, let's note right off the top that THERE ISN'T A SINGLE FUCKING JAZZ MUSICIAN ON THE ENTIRE LIST. That's right. No Miles Davis. No John Coltrane. One of the few forms of music that was truly invented in America is not represented IN ANY WAY on this list. I should also mention that there is not a single blues musician. No Robert Johnson, no Muddy Waters, no Howlin' Wolf. According to VH1, it makes no difference that if it weren't for those guys, there would be no Rolling Stones or Led Zeppelin, two of the top five on the list.

Christ on a cracker. On to the shame of it all...

Let's start with Category #1: Artists Who Should Absolutely Not Be On The List. That includes Depeche Mode (98), Journey (96), ABBA (81?! Are you fucking kidding me?!??), and Def Leppard (70 — we all get it, alright, it's hard to drum with one arm).

Moving on to Category #2: Artists Who Should Be Way Lower On the List. That includes U2 (19 — this is more of a personal opinion, but I think U2 might be the most overrated Bigtime Rock Band ever), AC/DC (23), Radiohead (29), The Police (40), Kiss (56 — and to be honest, Kiss is flirting with Category #1), and Pink Floyd (18 — I love me some "Dark Side of the Moon," but "The Wall" is probably the most overrated rock album of all time).

This one isn't really a category, but there's no fucking way Elvis should be higher on this list than Chuck Berry. And the only reason he is, is because record mogul Sam Phillips "wanted to bring African-American music to a wider audience," which of course means, "doing it without an actual black guy."

Category #3: Artists Who Should Be Way Higher On the List. This includes the Beastie Boys (89 — they should be at least as high as Run DMC at 76 or Jay-Z at 47), Curtis Mayfield (84), Otis Redding (68), Parliament-Funkadelic (49), Johnny Cash (35), The Band (85) and Aretha Franklin (27)

Category #4: Artists Inexplicably and Inexcusably Left Off the List. The following artists amazingly do not appear on the list at all: The Allman Brothers, the Grateful Dead, Paul Simon/Simon & Garfunkel, Miles Davis, John Coltrane, the Stanley Brothers, Fela Kuti, Booker T & the MGs, the Funk Brothers (okay, they were a backup band, but they backed up EVERY SINGLE MOTOWN ARTIST), MF Doom, Peter Tosh, Snoop Dogg, Lee "Scratch" Perry, Eric Clapton (although Cream made it at 61, so technically he's in... I've never been a huge Clapton fan, but he damn sure should be on here over AC/DC, the Velvet Underground, and Guns'n'Roses), Robert Johnson, and Dr. Dre.

Category #5: The Top Ten. Let's go through them one-by-one with commentary, shall we:

• #10 — Stevie Wonder — You get no argument from me there.
• #9 — James Brown — Ditto.
• #8 — Elvis — I reiterate, if you're going to put Elvis here, you have to put the man he stole rock'n'roll from at least one step above, cultural significance or not.
• #7 — Prince — Never been a huge Prince fan, but he did turn R&B and funk on its head in his own, very unique way.
• #6 — Jimi Hendrix — No problem with that. Hendrix did things with a guitar that no mortal man should be able to do.
• #5 — Bob Dylan — Probably should be #2 at the worst. Definitely should be above...
• #4 — Rolling Stones — Again, if you're not going to put blues masters like Johnson and Waters on this list, how are you going to include the group that owes its entire career to them? I love the Rolling Stones, but that just straight-up doesn't make sense.
• #3 — Led Zeppelin — Works for me.
• #2 — Michael Jackson — OK.
• #1 — The Beatles — Correct.

Taking into account that this is complete personal preference, my separated lists would probably go thusly, at least the first few entries:

• Rock: Beatles at the top, then Dylan, followed by, in no particular order, the Grateful Dead, the Allmans, Hendrix, Chuck Berry, a begrudging nod to Elvis, Zeppelin, Springsteen, Stones

• R&B/Soul/Funk: Michael Jackson, James Brown, Marvin Gaye, Curtis Mayfield, Stevie Wonder, Prince, the Funk Brothers, Aretha Franklin, Parliament-Funkadelic, Fela Kuti

• Hip-Hop: Run DMC, Beastie Boys, MF Doom, Snoop Dogg/Dr. Dre (they should probably be packaged up, since together they basically ushered in the gangsta-rap era), Nas, Jay-Z, Biggie, Tupac

Wednesday, April 25, 2012

Tonight's Setlist: 4/21/12, Riverside Inn Music Festival, Cambridge Springs, Pa.


I'm normally sweating profusely... but not because of illness.

I had to battle through the beginning of a nasty little fever and chest congestion — that I'm only now reaching the tail end of — but it was a blast playing the Riverside Inn Music Festival in Cambridge Springs, Pa. The Riverside is a great old hotel built in the late 1800s, perfect for hosting a weekend of eclectic, mostly acoustic, music.

Plus I had another chance to jam with my pals The Grifters, which is always a good time. Click here to download/stream the set, courtesy of Archive.org:

Rain Song No. 3*
Dauphine*
Strange Moon*
Torn and Frayed (Stones)
Boys in the Barroom (R. Hunter)
Jam > Southwest Sky*
Magnolia (JJ Cale) >
Feelin' Alright (S. Winwood) >
Alligator (Dead) >
Jam > Good Morning Lil' Schoolgirl (J. Williamson) >
The Other One (Dead) >
Breathe (Pink Floyd) >
The Other One > 
Breathe Reprise >
New Speedway Boogie (Dead)
It Takes a Lot to Laugh, It Takes a Train to Cry# (Dylan)
Floating Bridge# (J. Estes)
Pig in a Pen# (B. Monroe)

Thursday, February 2, 2012

Tonight's Setlist: 2/2/12, Coco Coffeehouse, Leechburg, Pa.

"Drivin' that train, high on cocaine..."

I've never done cocaine before, and I have no plans to try it. But listening to tonight's first set recording, it sure sounds like I need to watch my speed! Debuted a brand-new song tonight, "Strange Moon," that I think has the potential to become a regular in the rotation.

Click here to stream/download courtesy of Archive.org.

Early set:
Man Smart, Woman Smarter (Dead)
Rain Song No. 3*
Have Someone Play Dixie For Me (Dry Branch Fire Squad)
You Can Keep It*
Copperhead Road (S. Earle)
Strange Moon*#
New Mexican Shuffle*
Quite a Night (in Spain)*
Feelin' Alright (S. Winwood) >
Alligator (Dead) >
Shakedown Street (Dead)
Ripple (Dead)

Late set:
Mother's Meth-Head Blues*
No Expectations (Stones)
Race Among the Ruins (G. Lightfoot)
I Like It*
Althea (Dead)
Bird Stealing Bread (Iron & Wine) >
Uncle John's Band (Dead) >
Shady Grove (D. Watson)
Sign on the Window (Dylan)
New Speedway Boogie (Dead) >
The Other One (Dead) >
Lady with a Fan (Dead) >
Stella Blue (Dead) >
Jack Straw (Dead)

*Original
#First time played